Filming a Looking Glass
This page includes tips for filming a Looking Glass Display, to make your content pop!
This is a section on how to create content that truly shines on Looking Glass displays.
The Looking Glass Portrait ships with a demo reel of some of our most exemplary content. This section is specifically geared towards what kinds of content you can make.
When filming moving content, we like to pause the image every once in a while so that the camera can truly capture the 3D effect of the scene.
Lighting matters - for real world content as much as virtual / digital content. Scenes / objects in the Looking Glass can look even more life-like if lightings and shadows match the way the scene would look in the real world.
This is a section is on how to position the Looking Glass in the context of your filming environment.
We’ve outlined a few techniques and considerations that help the Looking Glass film better.
Depending on where you film the Looking Glass, it can really affect how the Looking Glass appears.
We love when a Looking Glass Portrait is shown in the context of other things (a laptop, a keyboard, small trinkets) as it helps to place the Looking Glass in situ.
The backlight is default
onwhen you receive your Looking Glass, but some folks like to switch them off for everyday use.
When it comes to filming, we do recommend that the backlight stays on (unless there’s lighting/staging in the filming environment that require it to be off).
The Looking Glass Portrait's display surface is fairly reflective.
This is most apparent when filming in bright areas.
Here are some loose and fast guidelines:
- Make sure you’re in a dimly lit room (complete darkness is not recommended as then it removes the context of the environment).
- Make sure you are not filming in sunlight ☀️
- Wear dark clothing (as the color of your clothing can reflect onto the surfaces, too!)
The base plate of the Looking Glass is designed to angle the Looking Glass for best viewing when sitting at a desk. However, this angle is sometimes not the best for filming and we typically use a small 1” item to prop the base plate up which tilts the Looking Glass forward and helps with framing the content.
Depending on the ~ * vibes * ~, you likely want to keep your desk area as clean as possible. This means making sure there are no loose cables, plastic cups, etc. unless that’s the vibe you’re going for.
This section is mainly about how to adjust your camera settings and filming techniques that we’ve discovered over time. Feel free to use a combination of these.
One of the things to stress is that you do not need a special camera / DLSR to film Looking Glass content. Some of the best shots that we’ve done have been filmed using an iPhone. Know how to use your technology, do not let technology use you.
Using the built-in tools on your iPhone / smartphone camera, we recommend doing an AE/AF lock and setting the frame rate to 30fps
While images are cool, taking videos of the product is infinitely better at conveying the products than images.
It is best to stay at arms length from the Looking Glass and use optical zoom to get close up. Arms length is a good viewing distance to get the full effect of the three-dimensionality, helps frame the context and environment and gives you a wider view cone to move around in.
When you’re outside of the viewing cone , the 3D scene will “flip”. We’ve put guardrails on the hardware of the device in the form of a privacy filter though we do recommend that you try to stay within the viewing cone if possible.
You’ll get a sense of the view cone zone pretty quickly and again, if you happen to get out of it, the privacy filter will likely take over.
If you’re able to keep your elbows tucked in and hold your phone with two hands, your arms will become a natural stabilizer.
Instead of moving your arms from side to side, we recommend that you use your whole body to move from side-to-side to communicate the horizontal parallax.
The alternative to the option above (you can mix-and-match) is to use one hand to “wiggle” the Looking Glass left and right while centered on the desk position. This method also helps to communicate the horizontal parallax of the unit.